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          如何评价2020年在日本上映的剧场版《 北野望 bgn 014 rmvb白箱》?

          2021-04-19 06:11:14 栏目 : 欧美A一片 围观 : 348次

          这四段是我在当时看本作的时候截的图,如果你看过本作剧场版和TV,亦或是把这个放大到这几年pa的各种企划的时候,反正我就忍俊不禁起来:“呵,本来你们知道你们这企划,知道贵公司这些年作品的问题啊?”

          然后就又是一个这种问题犯了一遍的作品端出来

          说着我们为什么只做有限的事,吐槽着业界剧场版忽悠钱,只做保守的企划。

          成果你们端出来的是一个比鬼车还更加按部就班的作品,甚至为了这一切部署了一出“一觉回到解放前”。

          所以我一直感到如果把本作剧场版也当做tva一样的业界灼热的宣言,那么最好的观看体验是联合时事当做讥讽小说()

          本作拿着Sir John Moore entered Spain under the impression that several brave and victorious Spanish armies were to co-operate with him; but he looked in vain for any such armies. Nay, on the very day of his arrival at Salamanca he heard of the defeat of the Count de Belvedere, near Burgos; and only two days afterwards that general had also been defeated at Espinosa, on the frontiers of the province of Biscay. He demanded from the Junta to know with whom he was to co-operate for the conduct of the campaign, and he was referred to Casta?os. But Casta?os had already lost the confidence of the proud and ignorant Junta, and had little information to give. On the 15th of November the governor of the province announced to him that the French had taken possession of Valladolid, only twenty leagues from Salamanca; from the dormant Mr. Frere he heard nothing. This was startling intelligence; for he had only a small portion of his army yet with him. Sir David Baird was still struggling with the obstructive junta at Corunna, and Sir John Hope was wandering near Madrid with the artillery. Moore began to have a very gloomy idea of the situation, not only of Spain, but of his situation in it. He wrote that there was no unity of action; no care of the juntas to promote it, or to furnish arms and clothing to the soldiers; that he was in no correspondence with the generals of the other armies, and knew neither their plans nor those of the Government. He declared that the provinces around him were not armed; and as for the national enthusiasm of which so much had been said, that he saw not a trace of it; that, in short, the British had no business there; but he would still try to do something, if possible, for the country, since he was there.tva只能解决差不多两个小问题的时长,先写了一小半沧海桑田,然后在把问题犹如B级怪兽片一样一通biu~,一通热血就赢了,这是我想看的嘛?

          @老叮当 阿丁的答复里面提到tva是以现实主义的方法去幻想主义,我深认为然,而且我感到tva好就好在虽然事实上作品篇幅依然不很够,但是给每个case的问题,问题的解决,感情的宣泄的都是到位到量的。

          而剧场版对于这套逻辑的继承,就变成了曾经散了好几年的人,被一接洽,被一点小小的触动就全明星阵容了。远藤你当年可是因为自己的部分因为工期被3D就摸了三集的人,这一下发一个糖就来了?这可不是童话,这只有苦笑了。

          另一方面在于,在宣扬海报的时候,我原来以为是一个喵森成为制造人,其他每一个人都升职之后,以一种更新的视角,职责去实行与传承。

          然而剧场版中既不敢去做一个武藏野腾飞的幻想,更是为了躲回tva的逻辑而只能部署一波芒刺在后,回归原点,这很投机取巧,我很不满意如此。

          或者说,今天的水岛,已经没才能和热忱去做一个创作者的梦了,却要用一摊沮丧去点缀童话。

          现在的我还能流泪嘛?

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